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Leonardo DiCaprio Says ‘My Biggest Regret’ Is Turning Down ‘Boogie Nights’ Offer 30 Years Ago
Leonardo DiCaprio says the biggest regret of his acting career is turning down Paul Thomas Anderson's offer to star as the ...
DiCaprio, who is starring in Anderson’s upcoming action thriller “One Battle After Another,” told the director that he ...
At the time, the Oscar winner had to turn down the leading role as he was busy leading James Cameron’s ‘Titanic.’ ...
Although Leonardo DiCaprio is beloved for playing Jack Dawson in 1997's 'Titanic', he regrets passing up on the role of Dirk ...
For A-list celebrities like Leonardo DiCaprio, the tough career decisions look drastically different than the ones most of us ...
Leonardo DiCaprio has a legendary film career, but even legends have regrets. In a recent interview for Esquire , conducted ...
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Tribune Content Agency on MSNLeonardo DiCaprio reveals his 'biggest regret' is turning down Boogie Nights
Leonardo DiCaprio has admitted that his biggest career "regret" is turning down Boogie Nights. Mark Wahlberg was ultimately ...
Leonardo DiCaprio tells Paul Thomas Anderson that turning down “Boogie Nights ”is his biggest regret
When asked by Anderson — who interviewed DiCaprio for the outlet while promoting their upcoming film, One Battle After ...
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PRIMETIMER on MSNLeonardo DiCaprio reveals turning down Boogie Nights is his biggest regret and calls it a "masterpiece"
DiCaprio praised Boogie Nights for its willingness to explore the taboo, merging dark comedy and dark tragedy to depict the fragility of its characters. Its empathic depiction of characters pursuing ...
Paul Thomas Anderson's second film, Boogie Nights (1997), still gets a lot of attention when it comes to its ending.
She continued, “Mine was — I’ve never said this out loud — Boogie Nights. There was a moment where we were talking about Boogie Nights and I think it’s when I went and did Ever After.
Leonardo DiCaprio recently confessed that he wanted to headline Boogie Nights, the 1997 comedy-drama film, which was writer-director Paul Thomas Anderson's sophomore feature directorial project.
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