Registration is now open for participation in FILE – International Electronic Language Festival 2026, one of the most important events dedicated to art and technology. FILE invites Brazilian and ...

Back in March, Rhizome relaunched its Microgrant program, inviting proposals for Browser-based projects and pitches for articles about works of born-digital art in the Rhizome ArtBase. Our staff ...

Courtesy grouphab.it and Harm van den Dorpel. An extended and altered version of this text will be published in... You Are Here: Looking at After the Internet (Cornerhouse Books 2014), edited by Omar ...

As Slavoj Žižek and others have argued, the credit sequences designed by Saul Bass for Alfred Hitchcock's unofficial trilogy of late masterpieces—Vertigo (1958), North by Northwest (1959) and Psycho ...

“Imagine if we could begin our little life all over again. Imagine if it was all nothing more than some electronic game. Imagine if I knew then what I know now.” —Deus Ex Machina, Automata, 1984 If ...

The latest in a series of interviews with artists who have developed a significant body of work engaged (in its process, or in the issues it raises) with technology. See the full list of Artist ...

Rhizome recently organized a screening series as a part of the 2023 FWB Festival, an event described by the festival's manifesto as "a destination gathering of new-internet communities, and a ...

This essay accompanies the presentation of Electronic Disturbance Theater's FloodNet as a part of the online exhibition Net Art Anthology. What is the relationship between data bodies and real bodies?

GIF extract form Hito Steyerl, How Not To Be Seen. A Fucking Didactic Educational .MOV File, 2013. HD video file, single screen, 14min. How Not to be Seen: A Fucking Didactic Educational .MOV File is ...

I first began to realize the potentiality of my glitch body at the age of thirteen. If not thirteen, maybe even a few years younger—eleven, even—when I signed up on Yahoo! under the handle of ...

This is the first post in a series on the queer history of computing, as traced through the lives of five foundational figures. It is both an attempt to make visible those parts of a history that are ...

Martine Syms, film still produced for the cover of Most Days (2014). LP. Mixed Media Recordings, Brooklyn. The undersigned, being alternately pissed off and bored, need a means of speculation and ...