My goal was to take the Messiah as if it had been written yesterday,” the conductor and eminent French harpsichordist Christophe Rousset told Tom Service on Radio 3 on Saturday. “[It would be] as if ...
We began in a severe, even austere, mood, with a grave stillness and almost liturgical solemnity, and even with a fairly restrained Gloria. Then, somewhere around (to my ears) the Gratias agimus tibi, ...
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